< Continued from page 4
For oratory, as for the other arts, the death of Leo X (1521) and the sack of Rome (1527) mark the epoch of decadence. Giovio, but just escaped from the desolation of the eternal city, described, not impartially, but on the whole correctly, the causes of this decline: 'The plays of Plautus and Terence, once a school of Latin style for the educated Romans, are banished to make room for Italian comedies.
Graceful speakers no longer find the recognition and reward which they once did. The Consistorial advocates no longer prepare anything but the introductions to their speeches, and deliver the rest -- a confused muddle -- on the inspiration of the moment. Sermons and occasional speeches have sunk to the same level. If a funeral oration is wanted for a cardinal or other great personage, the executors do not apply to the best orators in the city, to whom they would have to pay a hundred pieces of gold, but they hire for a trifle the first impudent pedant whom they come across, and who only wants to be talked of, whether for good or ill. The dead, they say, is none the wiser if an ape stands in a black dress in the pulpit, and beginning with a hoarse, whimpering mumble, passes little by little into a loud howling. Even the sermons preached at great Papal ceremonies are no longer profitable, as they used to be. Monks of all orders have again got them into their hands, and preach as if they were speaking to the mob.
Only a few years ago a sermon at mass before the Pope might easily lead the way to a bishopric.'
The Civilization of the Renaissance in Italy
by Jacob Burckhardt
Part Three: The Revival of Antiquity
Chapter 7 - Reproduction of Antiquity: Epistolography and Latin Orators: 12345
Chapter 6 <<< Contents >>> Chapter 8
This document is in the public domain. See the first page for disclaimer and copyright information.
For oratory, as for the other arts, the death of Leo X (1521) and the sack of Rome (1527) mark the epoch of decadence. Giovio, but just escaped from the desolation of the eternal city, described, not impartially, but on the whole correctly, the causes of this decline: 'The plays of Plautus and Terence, once a school of Latin style for the educated Romans, are banished to make room for Italian comedies.
Graceful speakers no longer find the recognition and reward which they once did. The Consistorial advocates no longer prepare anything but the introductions to their speeches, and deliver the rest -- a confused muddle -- on the inspiration of the moment. Sermons and occasional speeches have sunk to the same level. If a funeral oration is wanted for a cardinal or other great personage, the executors do not apply to the best orators in the city, to whom they would have to pay a hundred pieces of gold, but they hire for a trifle the first impudent pedant whom they come across, and who only wants to be talked of, whether for good or ill. The dead, they say, is none the wiser if an ape stands in a black dress in the pulpit, and beginning with a hoarse, whimpering mumble, passes little by little into a loud howling. Even the sermons preached at great Papal ceremonies are no longer profitable, as they used to be. Monks of all orders have again got them into their hands, and preach as if they were speaking to the mob.
Only a few years ago a sermon at mass before the Pope might easily lead the way to a bishopric.'
The Civilization of the Renaissance in Italy
by Jacob Burckhardt
Part Three: The Revival of Antiquity
Chapter 7 - Reproduction of Antiquity: Epistolography and Latin Orators: 12345
Chapter 6 <<< Contents >>> Chapter 8
This document is in the public domain. See the first page for disclaimer and copyright information.
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